February 5, 2024
Dear Leland and Everett,
They say grief comes in waves. I’ve heard that over and over. It’s one thing to understand something intellectually; experiencing the thing is something else completely.
Last week my grief dissipated faster than I anticipated or wanted. I felt beauty in the sadness, and wanted to hold onto that feeling of beauty. The sadness hit me hard last Tuesday; by Wednesday it had lost about half its resonance, and I appreciated the feeling of lightness and joy I felt in replacement as the week progressed, but longed for the sadness to return.
I needn’t have worried. The sadness returned over the weekend, much to my surprise. Our minds think linearly; as the sadness dissipated, I assumed it was receding permanently…even as I listened to podcasts where people talked about sadness coming in waves. Despite my longing for the sadness last week, I resented its return. I resented the surprise. Of course, I cannot control the return of sadness any more than I could control its dissipation. I assume the goal is to learn how to surrender into the waves and let go of the resentment and resistance; let’s just say I’m not there yet.
We watched The Lion King over the weekend, or at least part of it. The original came out when I was in high school, and immediately became one of my favorite movies. I listened to the soundtrack over and over and over again. In my youth, the story was about a boy whose destiny was frustrated by a bad guy, but who ultimately overcame his obstacles and ‘won’. Now I see a story about a boy who expected his life to play out in a certain way (“I Just Can’t Wait to be King”) before experiencing a traumatic event (the death of his father) and developing a coping strategy (running away from home and adopting a carefree lifestyle with friends) that served a valuable purpose at the time (it may well have kept him alive) before being pulled back to face and overcome his trauma and fulfill his destiny. That story resonates deeply with me now: though my destiny was never to be King, I do feel as if I am being pulled back onto ‘my path’, at times in spite of my resistance.
As an aside: my adolescent interpretation of the meaning behind The Lion King is no more or less accurate than my middle-aged interpretation. Art (and scripture too, for that matter) not only mean different things to different people, they mean different things to the same person at different stages in life. Intriguingly, even the artist loses control of the meaning of his or her art the moment it gets released out into the world; once public, the art takes on as many meanings as there are encounters with the art. The lesson for you: you can only embrace the resonance you feel, and learn what the resonance wants to reveal; but understand that others will find different learnings in their own resonance. Hold onto your meaning and learning, but allow others the grace to learn and discover what is meant for them.
Chaos theory is a scientific concept originally exposed to me by the book Jurassic Park a couple years before The Lion King. One idea that stuck with me was nonlinear dynamics: sometimes alluded to by shorthand as the Butterfly Effect, nonlinear dynamics posit that in certain complex systems, tiny changes in inputs yield vastly different outcomes. When modeling weather patterns, for example, scientists observed that tiny variations in wind materially impacts weather patterns surprisingly quickly. The wind could change as little as the displacement caused by a butterfly flapping its wings and still yield measurable results mere weeks later (thus the name The Butterly Effect).
What I only recently learned is that chaos theory also posits that the range of possible outcomes, though large and nonlinear, tend to double back on themselves in something of a figure-8 pattern, with the 8 represented in large bands created by the range of potential outcomes. Somehow this concept helps me reconcile the age-old Christian struggle between the ideas of free will and predestination. We Americans are well versed in free will, the idea that individuals are empowered to make choices and forge their own path. Some Christians believe in predestination, the idea that an all-powerful and all-knowing God must have already determined everything, including the ‘choices’ we as individuals will make. My personal sense is that we individuals are empowered with free choice, and that our choices will set us on different possible paths, but that those paths circle around central themes that serve as apparent gravitational forces in our lives. Expressed artistically, there were many paths for Simba’s life to take, but they all centered around the gravitational pull toward his becoming king. Expressed spiritually, I think this is why Buddhists (and to a lesser extent Christians) focus on surrender, correctly recognizing that our suffering comes from struggle, and our apparent insistence in resisting the path laid out for us. Surrender into our path does not in fact mean giving up our free will. Indeed, following our path is neither easy nor comfortable. I’m beginning to think of surrender like agreeing to play a video game we design for ourselves: the game is optimized for the maximum difficulty and struggle we can handle, while ensuring we have all the tools available for us to succeed (even if that means dropping the tools into the game just in time for us to utilize).
Later in the weekend, and again last night, we listened to Tracy Chapman’s “Fast Car”, a gloriously sad song originally released a couple years before Jurassic Park, but re-recorded last year by Luke Combs. Chapman and Combs performed the song as a duet at the Grammy’s on Sunday night, which brought the song back into my awareness. Some of the haunting sadness in Chapman’s voice is now replaced with hints of joy and cheerfulness, the observation of which brought me some gratitude.
In my youth, “Fast Car” was a song about the exhilaration of youth and escape. Listening now, I notice for the first time that the song is also about the cycles of trauma, and how as adults we relive the trauma’s of our youth unless and until we really heal. Thus, the gravitational forces of ‘destiny’ apparently expressed in chaos theory revealed themselves again through art.
We listened to the song together last night. I wept. Everett in particular found this curious, intimating he hadn’t seen me cry before (or had observed it rarely, I forget the exact framing). Leland corrected Everett: Leland is old enough to remember seeing Dad cry. I was surprised by Everett’s surprise; I feel as if I cry in front of you both regularly. Indeed in my mental model I cry all the time; perhaps I judge myself against the generations of men who came before me, who rarely if ever expressed emotion through tears. Alas, I am different; I weep somewhat regularly. Until this recent wave of grief the most reliable way for me to experience uncontrollable weeping was to watch movie scenes where dads are separated from their children (especially their sons). The idea of losing the two of you is more than I can bear. Perhaps we haven’t watched such a movie recently enough for Everett to be old enough to remember seeing his dad cry.
Interestingly, neither of you seemed particularly bothered by my uncontrolled crying. You were curious, but not resistant. You didn’t judge, you didn’t criticize, you didn’t try to distract me, even with comfort. You just let me cry. You asked why, but you didn’t resist. Everett in particular I thought might try to distract or comfort me: you often dislike when others feel negative emotions. I wonder if my own lack of resistance, coupled with your mom’s openness, enabled you to allow space for me to cry. Whatever the reason, I’m oddly grateful we all shared that experience together. I’m glad you got to see me cry, and know that I don’t mind crying. On some level or some day I hope you can appreciate processing sadness was important to me at this stage in my journey. If you remember watching the song together with your dad and can tie that experience to these stories, so much the better.
And why was I crying? I still can’t articulate it exactly. The overarching story, I think, is still me learning to surrender, and letting go of my illusion of control over my path. Somehow, though the effort to control my path yielded mostly pain and frustration, I feel an odd sadness of letting that story go. I have an odd attachment, even to the pain and frustration. I still hold some fear that I won’t have the strength or courage to walk in my path, and plenty of sadness around letting go of my cherished false idols. I think that’s enough for today, but we’ll discuss more soon.
I love you,
Dad